A peculiar incident unfolded in the streets of Kiev when a 45-year-old actress, Elena Yegorova, was seen striding down the road stark n^ked, donning a pot on her head, and holding a kitchen knife and meat cleaver.

Concerned neighbors alerted the authorities as they observed this bizarre scene outside her residence.

Upon the arrival of the police, Yegorova explained that her unusual behavior was part of her preparation for an upcoming play based on the movie Dawn of the Dead, a film depicting a zombie apocalypse in America.

She justified her actions by stating that zombies rely on scent rather than sight, hence the pot on her head to impair her visibility.

According to a police spokesperson, she intended to involve other actors and actresses in similar unconventional rehearsals, believing it would enhance their performances.

However, law enforcement officials advised against such methods, deeming them unsafe and inappropriate for character preparation.

One of the neighbors, Ignat Galkin, captured the surreal moment on video using a mobile phone, expressing astonishment at the sight.

Yegorova’s n^ked stroll while murmuring to herself, armed with sharp blades, left observers perplexed and concerned about potential harm to herself or others.

Galkin shared his disbelief at witnessing such an unprecedented event, describing Yegorova’s erratic behavior as alarming.

He voiced apprehension about the actress’s mental well-being and the risks associated with her wielding dangerous weapons in public without attire.

The actress, undeterred by the attention and apprehension surrounding her impromptu performance art, remained focused on her interpretation of the zombie character for the theatrical adaptation.

Despite the oddity of the situation, Yegorova maintained her dedication to embodying the essence of flesh-eating zombies from the renowned film.

Yegorova’s unconventional approach to method acting raised eyebrows among locals and law enforcement alike, prompting discussions about the boundaries between artistic expression and public safety.

The blurred lines between reality and performance highlighted the challenges faced by actors immersing themselves in roles requiring extreme psychological and physical transformations.

As the incident garnered attention for its eccentricity and potential risks, it underscored the complexities of balancing artistic