Lea Seydoux, renowned for her role in “Blue Is The Warmest Color,” recently opened up about her experience during the filming of the movie’s controversial s** scene, expressing feelings of being akin to a “prostitute.”
The revelations surfaced during a discussion with Seydoux and her co-star Adele Exarchopoulos regarding director Abdellatif Kechiche’s unconventional approach to creating the lesbian romance.
Reflecting on the filming process, Seydoux candidly shared, “There were moments where it felt degrading, almost like I was selling myself.”
She delved into the intricate details of shooting the explicit scene that reportedly spanned over 10 days, emphasizing the challenges faced, particularly with the demand to simulate intimate moments repeatedly.
Seydoux acknowledged the complexity of baring emotions rather than just the physical aspect of the scene.
In a similar vein, both Seydoux and Exarchopoulos had previously discussed their sentiments about the s** scene in “Blue Is The Warmest Color” during an interview with The Daily Beast last September.
Exarchopoulos recounted how Kechiche pushed them to their limits, going beyond conventional boundaries, which she found unsettling yet revealing.
The actresses highlighted the stark contrast between Kechiche’s methods and more standard practices where actors are provided with reassurance and choreography during intimate scenes to mitigate discomfort.
During the discourse with The Independent, Seydoux disclosed a particular boundary she set, indicating that there was a s**ual act she declined to perform on screen, asserting her autonomy in such delicate matters.
These revelations have not been received well by Kechiche, who expressed his discontent towards Seydoux’s remarks, questioning the legitimacy of her complaints given the privilege of their profession.
Kechiche voiced his dismay at the actresses’ post-production comments, lamenting that the controversies surrounding the film tainted what should have been a celebratory period following its prestigious Palme d’Or victory at the Cannes Film Festival.
The director conveyed a sense of disillusionment, feeling that the aftermath of the film’s release had cast a shadow over his achievements, leading to a sense of rejection and curses haunting his experience.
