Nicole Kidman, gearing up for a busy period with her roles in potential award-winning films “Boy Erased” and “Destroyer,” recently penned an insightful essay for New York Magazine’s The Cut.
In her piece, she delved into the notion of power within Hollywood.
Kidman kicked off her narrative by highlighting her ability to utilize her star status to push forward challenging projects, such as her role as a producer in the acclaimed series “Big Little Lies.”
However, she acknowledged that there is still untapped power within her, as evidenced by the struggles encountered during the making of “Destroyer.”
Reflecting on the hurdles faced during the production of “Destroyer,” Kidman shed light on the complexities involved.
From the film’s female director, Karyn Kusama, to her portrayal of an unglamorous avenging cop, Kidman recognized the lack of immediate enthusiasm surrounding the project.
She emphasized the importance of stories that delve into intricate characters, even if they do not initially garner widespread excitement.
In a more personal revelation, Kidman touched upon her encounters with s**ual harassment in the industry.
While hinting at instances that align with the #MeToo movement, she chose not to divulge specific details but rather emphasized how these experiences shape her craft.
Kidman expressed her belief in translating her emotions and life encounters, including not only harassment but also themes of loss and resilience, into her performances as a way to reclaim her narrative.
Delving deeper into her personal life, Kidman shared insights into her early marriage to Tom Cruise.
Despite tying the knot at a young age, Kidman revealed that the union provided her with a sense of security rather than empowerment.
She described the marriage not as a source of power but as a shield from potential harassment, allowing her to focus on her career without constant fear.
Kidman admitted that emerging from the marriage marked a period of significant growth and self-discovery for her.
As anticipation builds for the release of “Boy Erased” on November 2 by Focus Features and “Destroyer” on December 25 by Annapurna, Kidman’s essay serves as a thought-provoking exploration of power dynamics and personal evolution in the entertainment industry.
For those interested in delving deeper into Kidman’s reflections, the full essay is available on The Cut’s platform.
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